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Milan Ristić
Milan Ristić (Serbian Cyrillic: Милан Ристић; 31 August 1908, Belgrade – 20 December 1982, Belgrade) was a Serbian composer, and a member of the Serbian Academy of Sciences and Arts ((SANU) SASA).
== Biography ==
Along with Mihovil Logar, Dragutin Čolić, Ljubica Marić, Vojislav Vučković, and Stanojlo Rajičić, Ristić belonged to the so-called "Prague group" of composers that entered musical life of the Serbian capital at the onset of the 1930s. Following World War II the members of this circle played leading roles in Serbian and Yugoslav music. Given his affiliation with the pursuits of European contemporary music he acquired during his education in Paris and prior to relocating to Prague, Milan Ristić occupies a special place among the Prague group. He received his first piano instruction in Belgrade from Ivan Brezovšek. In 1927 he moved to Paris with his school friend, the author Oskar Davičo, where he began study of composition (1927–29) with G. Pierson. Upon his return to Belgrade, Ristić continued his education with Miloje Milojević and Josip Slavenski at the Music School in Belgrade. Following his father's death, he supported his family by playing in the Belgrade jazz band ''The Jolly Boys''. In 1929, Ristić destroyed the score of his first composition, ''Four impressionistic pieces'', but the second piano miniature of this work, "Invocation", survived. During his studies with Alois Hába at the Prague Conservatory, Ristić became familiar and began to adopt ideas about 'athematicism', the continuous development of the thematic material, and accepted linear thinking that would become a significant characteristic of his future works. His early works (''Sinfonietta'', the single-movement Violin concerto, and piano ''Preludes'') display the spirit of the Interwar modernism, leaning in certain cases on Hába's quarter-tone music teachings (''Suite for four trombones'' and the ''Septet''). Ristić returned to Belgrade from Prague in 1939 due to the German occupation of Czechoslovakia. Back home, he began working at Radio Belgrade, where he remained professionally connected going forward, but withdrew his public radio performances during the war period of the German invasion and occupation of Yugoslavia. He returned to Radio Belgrade after WWII, in the position of assistant editor-in-chief for music programs until 1963, when he became a consultant for music programs at the Radio-Television Belgrade (today Radio Television of Serbia). He was inducted into the Serbian Academy of Sciences and Arts as a corresponding member in 1961, and also served as President of the Composers' Association of Serbia from 1960 to 1962. Milan Ristić received a Yugoslav Order of Labour with the Red Flag.
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